Martin Scorsese Casino Interview
Posted By admin On 02/04/22By SCORSESE: articles—
- Martin Scorsese Casino Interview Questions And Answers
- Martin Scorsese Casino Interview Questions
- Martin Scorsese Interview Taxi Driver
- Martin Scorsese Movies List
Please consider supporting more content like this by becoming an AARP member: been 22 years since Don Rickles worked w. JTA — “Casino,” Martin Scorsese’s examination of the mob’s control of Las Vegas in the 1960s and 70s, debuted in theaters on November 22, 1995 — 25 years ago this past week. It may be a tick below.
'The Filming of Mean Streets ,' an interview with A.C. Bobrow, in Filmmakers Newsletter (Ward Hill, Massachusetts), January 1974.
Interview with M. Carducci, in Millimeter (New York), vol. 3, no. 5, 1975.
Interview with M. Rosen, in Film Comment (New York), March/April 1975.
Martin Scorsese Seminar, in Dialogue on Film (Washington, D.C.), April 1975.
'Scorsese on Taxi Driver and Herrmann,' an interview with C. Amata, in Focus on Film (London), Summer/Autumn 1976.
Interview with Jonathan Kaplan, in Film Comment (New York), July/August 1977.
Interview with Richard Combs and Louise Sweet, in Sight and Sound (London), Winter 1977/78.
'Martin Scorsese's Guilty Pleasures,' in Film Comment (New York), September/October 1978.
Interview with Paul Schrader, in Cahiers du Cinéma (Paris), April 1982.
Interview with B. Krohn, in Cahiers du Cinéma (Paris), May 1986.
'Body and Blood,' an interview with Richard Corliss, in Film Criticism (Meadville, Pennsylvania), vol. 24, no. 5, 1988.
Interview with Chris Hodenfield, in American Film (Washington, D.C.), March 1989.
'Entretien avec Martin Scorsese,' with H. Niogret, in Positif (Paris), October 1990.
'Scorsese sur Scorsese,' an interview with P. Rollet and others, in Cahiers du Cinéma (Paris), October 1990.
Interview with A. Decurtis, in Rolling Stone (New York), November 1, 1990.
'Martin Scorsese: Gangster and Priest,' an interview with A. M. Bahiana, in Cinema Papers (Melbourne), December 1990.
Interview with David Rensin, in Playboy (Chicago, Illinois), April 1991.
Interviews with Graham Fuller, in Interview (New York), November 1991 and October 1993.
'Martin Scorsese's Mortal Sins,' an interview with Marcelle Clements, in Esquire (New York), November 1993.
Interview with Gavin Smith, in Film Comment (New York), November/December 1993.
'A Personal Journey with Martin Scorsese through American Movies,' an interview with Nicolas Saada, in Cahiers du Cinéma (Paris), June 1995.
'Ace in the Hole: Visualizing a Vintage Vegas,' an interview with Stephen Pizzello and Ron Magid, in American Cinematographer (Hollywood), November 1995.
'Martin Scorsese's Testament: Bright Lights Big City,' an interview with Ian Christie and Pat Kirkham, in Sight and Sound (London), January 1996.
Interview, in the Special Issue of Cahiers du Cinéma (Paris), March 1996.
Interview with Jean-Pierre Coursodon and Michael Henry, in Positif (Paris), March 1996.
Martin Scorsese Casino Interview Questions And Answers
'Martin Scorsese's Calling: To Protect and Preserve Film Artists' Rights,' an interview with Ted Elrick, in DGA Magazine (Los Angeles), March-April 1996.
Martin Scorsese Casino Interview Questions
'The Art of Vision: Martin Scorsese's Kundun ,' an interview with Gavin Smith, in Film Comment (New York), January-February 1998.
Martin Scorsese Interview Taxi Driver
An interview with Hubert Niogret and Michael Henry, in Positif (Paris), May 1998.
He finally took one of them - a Roger Corman exploitation picture called 'Boxcar Bertha' - because he needed to direct again. 'Corman thinks it's an exploitation picture,' Scorsese told me, 'but I think it'll be something else.' He was right; his talent made the film, which starred Barbara Hershey and David Carradine, better than it had to be.
The movie got him more work. In 1973, on a small budget but with total artistic freedom, he made 'Mean Streets,' a sequel to 'Who's that Knocking.' It was a ferocious, painful, deeply felt masterpiece. In 1974 he made his big critical and box office success, 'Alice Doesn't Live Here Anymore,' for Which Ellen Burstyn won an Oscar. Scorsese was established, was 'bankable.'
His new film, which opens here Friday at the McClurg Court, Lincoln Village and five suburban theaters, is 'Taxi Driver' with Robert DeNiro - a violent and frightening return to the New York of Mean Streets. It looks like another hit.
Scorsese and I met for lunch during his visit last week to Chicago and were joined by Paul Schrader, who wrote the screenplay for 'Taxi Driver.' They were a study in opposites: Schrader, a Midwestern Protestant in pullover sweater and tie, and Scorsese, a New York Italian-American, in jeans and a beard. But they'd been working together on this screenplay since 1972.
Scorsese: Because there's a lot of violence to this picture, some of the New York reviews are calling it an exploitation film. Jesus! I went flat broke making this film. My films haven't made a lot of money. Right now, I'm living off my next film.
Schrader: If it's an exploitation film, I wish we had a dollar for every time we were told it would never be a success at all. This screenplay was turned down by everybody.
Martin Scorsese Movies List
Scorsese: We showed it to some New York media educators, and I thought we'd get lynched. And we showed it to some student editors...there was one wise guy there I recognized from a screening we had of 'Alice.' He asks whether, after all my success, I'm about ready to fall on my ass. I've hardly gotten started!